For sale for the first time in 1000 years: Shakenhurst Hall, Shropshire

Shakenhurst Hall, Shropshire (Image: Nick Edwards/Panoramio)

Shakenhurst Hall, Shropshire (Image: Nick Edwards/Panoramio)

It has been estimated that there are approximately 2,000 large country houses in the UK with decent size estates  (over 100 acres) – but very few are still in the hands of the family which originally built them. Yet despite the many sales over the years it’s still possible for a house and land to remain with one family for many hundreds of years – though that is now coming to an end for Shakenhurst Hall in Shropshire, seat of the Meysey family for much of the last 1000 years and now on the market for the first time at £12m.

The lands were first given to a French Baron, Roger de Toeni, for his help in the conquest of Britain in 1066.  It has then passed through inheritance through various members of the Meysey family except when it passed for period to a godson in the 20th-century and then his wife, before being bequeathed to Michael Severne, a descendent of the Meyseys.  On his death in 2007 it passed to his only daughter Amanda who died of cancer in 2008 leaving the house and estate to her husband.

The grade-II listed Georgian house, built in the 1790s but with a 16th-century core, is now up for sale as it faces that age-old difficulty of an estate no longer providing sufficient income to maintain the house – and neither of their two sons are in a position to take it on.  Michael Severne had run a successful plastics business from outbuildings on the estate but with his death the business folded.  Interestingly this mirrors the challenges faced by country house owners in the 19th-century who relied also on a single source of income, agriculture, who were hit particularly hard by the 1870s depression in farm produce prices and land values.

Land has always been regarded as the most important asset (even if mortgaged) and so when faced with the choice of economising, selling land, or selling paintings or books it was usually the latter which went first.  This lead to the rise of the art sales particularly from the 1890s until the 1930s which dealers such as Joseph Duveen exploited as they extracted exquisite Old Master Italian paintings and others by the finest English artists which would then be shipped to the United States. Here a new class of exceptionally wealthy financiers and industrialists such as Hearst, Frick, Morgan, Mellon, Carnegie and Rockefeller would compete to secure the finest works of art before donating them to eponymous public galleries.

Although this did leave significantly smaller collections for some houses it did sometimes provide the finance to either diversify into investments or tide them over until agriculture recovered in the 1930s – although for some it merely delayed the more unpalatable choice of demolition which unfortunately was the outcome for hundreds of houses in the UK.  With demolition now thankfully out of the question an owner is left with few options and it can be easier to simply sell up which is what appears to be the case with Shakenhurst Hall.

Sad though it is that such a long connection is to come to an end, here’s hoping the next owner will respect the 1300-acre estate, the history and the house to create a rewarding new chapter for this elegant ‘minor’ country house.

Property details: ‘Shakenhurst Hall‘ [Savills]

PS: it’s interesting that two houses should be available which look so alike. I was struck by just how similar Shakenhurst Hall is to Peatling Parva Hall in Leicestershire which is currently on the market for £4.75m.  Interestingly the latter only took on it’s current form after alterations in 1910 after the Arts-and-Crafts architect Detmar Blow added two bays to the original house.  Was this just a coincidence of architects thinking alike or had Blow seen either Shakenhurst or something similar?

Property details: Peatling Parva Hall [Knight Frank]

Advertisements

About Matthew Beckett - The Country Seat

An amateur architectural historian with a particular love of UK country houses in all their many varied and beautiful forms.
This entry was posted in Comment, for sale, News and tagged , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

5 Responses to For sale for the first time in 1000 years: Shakenhurst Hall, Shropshire

  1. stephenm says:

    It’s rather frustrating how almost the first time most folks get to hear more details about these ‘minor’ survivors is when they’re finally being sold off. Will be suggesting to Country Life that they run a county-by-county series of houses/estates which are still owned by the descendents of the original incumbents, with particular emphasis on those which have never generally been open to the public. The likes of the Shuckburghs of Shuckburgh Hall and the Fountaines of Narford Hall should have their durability celebrated before rather than after..

    • countryhouses says:

      Thanks Stephen. It is fascinating how many country houses there are which are largely unknown outside of the families and their visitors. I recently bought a book which is exactly the sort of celebration you suggest called ‘The Field Book of Country Houses and Their Owners – Family Seats of the British Isles’ by Hugh Montgomery-Massingberd (sadly now out of print) . In his introduction he says that he set out “…to celebrate the survival of some lesser-known country houses still in private hands.”. It’s a wonderful book, each page a revelation as the smaller seat is put centre-stage. It was published in 1988 so some families may have sold up in the meantime but it features, for example, the Cruwys family of Cruwys Morchard, Devon (since 1066), Dymoke of Scrivelsby, Lincolnshire (since 1300’s), Featherstonehaugh-Frampton of Moreton, Dorset (since 1300’s), Millbank of Barningham, Yorkshire (since 1600’s), and Plumptre of Goodnestone, Kent (since 1700). There are many others and it would very interesting to see how many have had to move out in since the book was published.

      I agree that is a shame in some ways that Country Life does (understandably) focus on the larger houses – especially as it can only feature one per issue. Perhaps there is a case that maybe they might sometimes do a ‘major’ and a ‘minor’? I’m suspect this may be economically infeasible as I doubt the extra costs would be covered by more purchasers but as an occasional series perhaps focusing just on those seats still in family hands. Perhaps this blog might be able to fill the gap somehow – though I suspect that some families are perfectly happy with their quiet obscurity!

      • stephenm says:

        I have that ‘Field Book of..’, a great and mildy heroic effort by the late Hugh Montgomery-Massingberd (or ‘-Massivesnob’, as Private Eye
        used to style him!). I think he may also have had a hand in the excellent ‘Burke’s and Savills Guides to Country Houses’ which ran, I think, to just 3
        volumes before the money ran out (East Anglia, West Midlands and Ireland are the ones I’ve got).
        I’m sure you’re right about some families being happy with obscurity, the Fountaines of Narford referred to previously, for example (see the
        brief listings entry for their
        rather-more-major-than-minor mansion). What I envisaged vis-a-vis Country Life was a series of double-page county maps with the
        old estates identified and briefly described. Wouldn’t take too much identifying, I reckon – archivists at the respective county records offices
        could probably reel them off the tops of their heads. It’s worth doing, I think , hopefully before the next Shakenhurst or Fillongley gets the fold-out treatment at the wrong end of the magazine!

  2. Pingback: The state of the country house market: Autumn 2010 | The Country Seat

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s