Still available for sale – the country houses proving difficult to sell

Despite the enthusiasm of the estate agents, it seems that some of the most impressive houses featured in the glossy adverts at the front of Country Life magazine are proving difficult to sell.  Whether this is due to a poor local market or unreasonable prices, or just bad luck, here are a few stunning country houses which are still looking for buyers.

Noseley Hall, Leicestershire (Image: Knight Frank)

Noseley Hall in Leicestershire has been in the family of the present Lord Hazelrigg for nearly 300 years but was put up for sale in April 2009 at a guide price of £14m for the grade-II* listed house plus the 1,200-acre estate.  Built in 1728 on the back of Northumberland coal mining wealth, the house is decorated with works of art (though fewer now following several auctions), and fine plasterwork.  However, Lord Hazelrigg admitted that the estate doesn’t cover the costs of running the house, and so he decided to sell, but it’s still listed on the Knight Frank website – and still with a guide price of £14m.   More details: ‘The last of the romantics‘ [Sunday Times]

Dowdeswell Court (Image from Savills)

Another house which has been for sale is Dowdeswell Court in Gloucestershire which was first advertised in 2005 and then sold for £4.75 but then came back on the market in summer 2009 with a guide price of £7.9m (and was featured in this blog).  When serial restorer James Perkins took on the house it had been a 46-room nursing home resulting in a huge restoration project and since he sold in 2005 has moved on to restoring other country houses including Aynhoe Park.  The grade-II house was built between 1833-35 by local architect Charles Paul of Cheltenham and was originally three storeys but during the 1920s the top storey was neatly removed.  The more manageable house is a beautiful example of neo-Classical detailing combined with modern comforts. The house is available through either Knight Frank or Savills.

Compton Pauncefoot Castle - Somerset (Image: Bidwells)

The final property for this list is the impossibly beautiful Compton Pauncefoot Castle in Somerset which has been for sale since 2006.   Built in 182o, the grade-II listed house sits in a 1,278-acre estate with 40-acres of stunning gardens and lakes.  Originally on the market for £22m, it failed to sell even during the boom years of 2007-8 and despite 20 buying agents being invited to a launch event, and being featured in the The Sunday Times, it’s now being sold at auction – though I suspect the reserve would be near the current price advertised on the agents websites of in excess of £17m.  Perhaps the fact that it’s only for sale as a whole may have put off those who might just want the house and immediate grounds – but this would deny the owner the certainty of privacy that the surrounding estate would bring.  The house is available through Bidwells and Knight Frank (who despite putting it as their lead advert in Country Life this week fail to have it on their website).

Remembering the lost country houses of Suffolk

Each county in England has suffered the loss of at least some of its wealth of country houses.  Although nearly 1,800 have been identified so far, it’s clear that some counties, such as Somerset, escaped relatively lightly whilst others such as Yorkshire were severely depleted.  Of course, the losses are not simply about numbers as these can mask the importance of the individual houses.  One county which has been deprived of not only a significant number but also some houses of national importance is Suffolk in East Anglia.  Financed by early wealth from the wool trade followed by large scale agriculture, Suffolk boasts some of the finest houses in the country including Somerleyton Hall (built for rail magnate Samuel Morton Peto), Ickworth (the spectacular home of the Marquesses of Bristol), and superb Elizabethan Long Melford Hall.

Yet Suffolk has also lost nearly 60 other country houses of all ages and styles to both fashion, finance and fire.   A new book focussing on these losses called ‘Lost Country Houses of Suffolk‘ (Boydell & Brewer, 2010) has just been published by a Suffolk author W.M. Roberts.  This superbly produced and researched book highlights 40 of these now vanished houses, including the larger houses such as the beautiful Rushbrooke Hall, and the lavish Flixton Hall, but also the smaller ones such as Assington Hall, and provides detailed histories of the ascendancy of the houses before explaining their demise.  Lavishly illustrated, the book is also a wealth of detail with further details and sources for anyone, be they genealogist or local historian, looking to research even deeper.

The book is available direct from the publisher or via Amazon or all good bookshops.

Full disclosure: I contributed a little of my research into England’s lost country houses to this book but I make no gain from sales.

Drop added to ocean – grant to Hafodunos Hall

Hafodunos Hall, Denbighshire (Image: SnakeCorp on flickr)

When idiot arsonists set light to grade-I listed Hafodunos Hall in 2004 they largely destroyed one of not only North Wales’ best country houses but also one of Sir George Gilbert Scott’s finest works.  Built in 1861-6 at a cost of £30,000 for Henry R. Sandbach, son of Samuel Sandbach, a Liverpool merchant and shipowner who had bought the original, 17th-century house in 1831.  Hafodunos was also designed with Sandbach’s collection of sculpture including works by John Gibson (1790-1866) which were incorporated into the walls and left exposed after the fire (but now removed for safe-keeping).

So a glorious house by one of the greatest Victorian architects which featured some of his trademark interiors including decorated doors, ribbed ceilings and fine chimneypieces was reduced to a burnt out shell and has remained as such despite attempts to sell the house and begin restoration.  As the house continues to deteriorate efforts have been made to limit the damage through grants.  The latest from Cadw (the Welsh version of English Heritage) is for £21,000 to pay for emergency work to stabilise the structure – which if you look at this gallery on flickr you’ll see is a drop in the ocean compared to total required for full restoration.  However, any work is positive so hopefully this will help preserve what remains until a more secure future for the house can be found.

Full story: ‘Heritage cash boost for Denbighshire landmarks‘ [Denbighshire Visitor]

Yaldham Manor application delayed again

The application to restore Yaldham Manor, near Wrotham in Kent, has been delayed again with the decision deferred until a site visit has taken place in February. After a first application, submitted three years ago, was withdrawn as it was thought likely to fail, the new application [pdf] was first submitted back in January 2009 and has been the subject of extensive discussions as to the appropriateness of the enabling development.

Yaldham Manor has a 14th-century great hall, which also features a large Tudor window, and also impressive ornamental chimneys.  Latterly the home of the Lade and Cory families it is now falling into a poor state of repair and requires urgent work.  To fund the restoration of the main house, the application seeks permission to create a ‘hamlet’ with new cottages being built to replace ones which have been demolished and also new homes in the derelict outbuildings.  The main house will remain as a single residence.

It seems a shame that they all couldn’t be bought by someone who could restore the house and outbuildings as a single family mini-estate.  However, if this is not possible, and much as I’m usually against most enabling development, this seems to be a sensitive proposal.  I fully support the council in taking a very close look at the application however it does seem a shame that it will have taken over a year to reach a decision but it must be recognised that our heritage requires a careful balance between protection and ensuring that appropriate works can be carried out.

Full story: ‘Historic manor in jeopardy‘ [thisiskent.co.uk]

The lack of modern country houses: FT Special Report

Grafton New Hall, Cheshire (Image: Ushida Findlay Architects)

The building of a country house used to be the ultimate expression of success. It was the sign that a man had achieved much that he wished to do and was now able to devote time and resources to this rural ‘badge of honour’.  Importantly, the success, learning, and attitude of the owner was to be expressed through his choice of architecture.  This determined individualism led to a vast range of styles – French chateau, gothic, ne0-classical – but one style which is lacking is the modern(ist) country house.

The FT report highlights how, after the decline in country house ownership during the early 20th century, those few country houses which have been built have been largely of a Classical design.  Indeed, when Ushida Findlay Architects proposed a radical ‘starfish’ design to replace the old Grafton Hall in Cheshire, the plan languished for years, never attracting an owner wishing to invest in the concept.  However, permission has now been granted for the construction of a large Classical house by Robert Adam.  This is another sign of the hold that this elegant style of architecture still not is aesthectically pleasing but also appeals to the ‘masculine’ objectives of building a house which states the power and wealth of the owner.

This attitude has moved modern country houses into the realm of the bespoke, ultra-luxury market and away from the aspirations of the merely wealthy.  In many ways, it’s good to see our exsiting stock of houses being cared for but there is also an important architectural history which needs to be expanded through the building of high-quality, modern country houses – able to meet the demanding standards of the contemporary rich but also to push forward the design of one of the most important elements of British architecture.

Full story: ‘Building Blocks‘ [FT.com]