The Historic Houses Association have highlighted that there is an estimated backlog of repairs totalling £390m. In recognition of local and sometimes national importance of these houses and their role in stimulating local economic activity, Edward Harley, president of the HHA has urged politicians to provide sympathetic tax breaks and also to allow those house with significiant public benefit to be allowed to apply for lottery funds.
When the historic Ranton Abbey was accidentally set alight and gutted in 1942 by the Dutch troops stationed there, it was likely that it would go the way of many other houses and simply be demolished. Yet the Earls of Lichfield, who owned the 300-acre estate, simply left it and focused on turning the land into a first-class shoot, allowing the house to slowly collapse, leaving just the ivy-clad walls visible today.
The death of the 5th Earl, the famous photographer Patrick Lichfield, in 2005, prompted the family to look again at the estate. However, rather than simply sell it they decided to obtain planning permission for the building of a new house and have now put both for sale at £3.5m. Although an obvious course of action, the choices made seem a bit odd. The new house is strongly Palladian in design but the projections produced so far have it sited so close to the red-brick shell of the old house, and the grey stone of the church, that it seems to have almost landed there by accident. It certainly does not seem to appear at home in this location and appears almost arbitrary, resulting in three large architectural elements fighting for prominence in a small area.
As the respected architectural writer Marcus Binney says in the ‘Bricks and Mortar’ supplement of Friday’s Times newspaper, surely the better option would be to restore the original house. This would bring back the balance which existed before and remove at once the obvious difficulties of leaving the old house as a giant garden ornament to compete with the new house. Whoever buys the estate and planning permission will hopefully think again about this scheme and look seriously at restoration.
Agents from Strutt & Parker have reported that the stunning Grade-I listed Moor Place in Much Hadham, Hertfordshire, is receiving second viewings – though I doubt anyone would spend the offers-over-£17m asking price for the house and 781-acre estate without going back a few more times.
The beautiful red-brick house dates from 1779 with later additions, which combine to create an almost perfect view of a Georgian country house. The house was built for James Gordon by the relatively unknown archictect Robert Mitchell who encased the originally Elizabethan house in an elegant facade with the south wing being rebuilt in 1907 by Sir Ernest Newton. Inside a fine cantilevered stone staircase leads up to a master suite and five further bedrooms on the first floor with five more on the floor above. Downstairs the elegant staircase hall leads to a library, dining room and sunny drawing room. More accomodation is available in the 1886 Norman Shaw west wing. All in all, this is a true trophy estate and the proximity to London means that the price tag is, judging by the viewings, not unrealistic.
The New Year period can be a very quiet time for the sale of country houses. This can often be easily seen in the much-thinner-than-usual selection of property adverts at the front of Country Life magazine, the weekly bible of the country house. However, someone has obviously decided to steal a march on the spring rush by putting a stunning home on the market; Abbey House in Witchampton, Dorset.
The Grade-II* listed property was originally built in the early 16th century and is thought to be the first brick-built house in Dorset. Formerly known as Witchampton Manor, it has 5 reception rooms, 8 bedrooms, 5 bathrooms (you might want to do something about that), plus the usual selection of outbuildings. The 6.8-acres of beautiful gardens also includes river frontage – perhaps an eco-alternative to the swimming pool.
This is a jaw-droppingly lovely house and I suspect with the currently dearth of decent larger homes on the market the owners may well have timed the sale very well as the bonus money from the City looks to find a country hole to escape to.
Strawberry Hill, Middlesex (Image: World Monuments Fund)
Although Horace Walpole’s large and impressive art collection initially remained at Strawberry Hill after his death in 1797, it was later sold off by his heir in a 24-day sale in 1842. With the sale, one of the best collections of it’s time of art, furniture, cermanics, glassware and manuscripts was scattered.
Now the Strawberry Hill Trust who look after the house are trying to find some of the objects in the collection with a view to borrowing or even purchasing some of the items. In particular, if you know the whereabouts of:
Roman funerary urn;
mirror with portrait of Viscount Malpas;
ornate Turkish dagger;
Gothic dining table;
basalt Bust of Vespasian
For more details about each of the items, see the story at The Art Newspaper:
The Country Seat 