The Country House Revealed – Wentworth Woodhouse, Yorkshire

Wentworth Woodhouse, Yorkshire - east front (Image: dykwia / flickr)
Wentworth Woodhouse, Yorkshire – east front (Image: dykwia / flickr)

If asked to name the largest and grandest country houses in Britain, many would list obvious candidates; Chatsworth, Belvoir, Castle Howard, Petworth, but few would name Wentworth Woodhouse in Yorkshire, the house featured in the next episode of Dan Cruickshank’s ‘The Country House Revealed‘ [Tuesday 31 May – 21:00 – BBC2]. One of the largest private homes in Europe, this leviathan slowly slipped into obscurity since family feuds and a vindictive Socialist minister caused the house to decline from being the greatest to being neglected.  Now, after ten years of hard work by the current owner, the house makes its first steps back towards the public stage – but is the price of the resurrection perhaps too high?

Wentworth Woodhouse - west front (Image: Matthew Beckett)
Wentworth Woodhouse - west front (Image: Matthew Beckett)

One of the triumphs of Wentworth Woodhouse is that the design of the house is coherent and powerful despite its size – extending to 606ft from tower-to-tower, to create the longest front in the country*.  Yet, the house is also one of two sides, the grand Classical east front, and the earlier, Baroque west front.  To have a house of such contrasting styles might indicate very separate plans of construction, yet a plan of proposed works dating from before 1725 and possibly as early as 1716, shows that the Earls Fitzwilliam had every intention to build on such a scale, with just the design itself changing.  The west side, the luxurious, decorated Baroque face, was raised between 1724-28 was long thought to be to a design by Ralph Tunnicliffe, a local architect who had worked on Wortley Hall and Calke Abbey, Derbyshire (1722). Yet, his work bears more familiarity with the Classical east front – so who designed the first stage?

Beningbrough Hall, Yorkshire (Image: nickrick90 / flickr)
Beningbrough Hall, Yorkshire (Image: nickrick90 / flickr)

Richard Hewlings in an article in Country Life magazine (17 February 2010) makes a solid case for the work being by the very well-regarded York architect, William Thornton (b. c.1670 – d.1721), who had previously worked on the joinery at Castle Howard, and designed Beningborough Hall. The latter of these (according to Colvin) showed a familiarity with Roman Baroque architecture as shown in Rossi’s ‘Studio d’architecttura civile‘ (pub. 1702-21).  Hewlings argues that because Beningbrough can be attributed to Thornton and that the same Rossi-inspired architectural elements can be seen in both houses, it makes Thornton (having definitely owned a copy of Rossi) the one most likely to have designed Wentworth Woodhouse – with his early death contributing towards his obscurity.

Wanstead House III, Essex - proposed design by Colen Campbell as shown in 'Vitruvius Britannicus'
Wanstead House III, Essex - proposed design by Colen Campbell as shown in 'Vitruvius Britannicus'

So Tunnicliffe designed the east front. Well, mostly. His 1734 design can very clearly be seen as derived from that most important of Palladian houses, Wanstead House, in Essex (built 1715 – dem. 1822).  The original architect of Wanstead, Colen Campbell, produced three designs (known as I, II, and III) which drew on the form of Castle Howard but stripped of much of the architectural verbosity which so offended the more austere Palladians. This design was to form the backbone for several generations of large country houses particularly in the boom years of the 1730s and -40s.  Yet, even though work started in 1731, in 1735 the Earl of Malton thought it best to have Tunnicliffe’s design reviewed by a greater authority, that of Lord Burlington, the ‘chief’ Palladian.  This proved timely as Tunnicliffe died in 1736 and so responsibility passed to Henry Flitcroft, a Burlington protege.  Flitcroft’s external alterations were relatively minor; adding pedestals to the portico columns, changing the shape of the attic windows, (he also provided designs for several rooms) but his engagement there was to last until work finished in 1770.

One obvious question is just why the house was so large? Beyond the usual demonstration of the scale of the family’s wealth and status, the house also had to be of such a size to accommodate the vast entertainments which the Watson-Wentworth’s needed to hold occasionally as part of their seduction of such a large and sparsely populated county.  Up to a 1,000 locals – nobles, gentry and simple gentleman alike – might be invited, with each given a ticket indicating which room they were to go to (and, by implication, their social status).  Another, seemingly more petty, reason was that Lord Malton’s father had inherited the estate in 1695; much to the shock and annoyance of another (politically opposed) relative, Thomas Wentworth, who lived nearby at Stainborough.  He responded by enlarging his own seat, Wentworth Castle (now a sadly much altered training college), in a grand style, ensuring that Lord Malton couldn’t be seen to ‘lose’.

The Marble Hall, Wentworth Woodhouse (Image: (c) Country Life Picture Library)
The Marble Hall, Wentworth Woodhouse (Image: (c) Country Life Picture Library)

One of the most breath-taking aspects of this need to impress are the interiors; boasting 25 ‘fine’ rooms of the highest quality, whereas by comparison, Buckingham Palace has 20 of a similar standard, Blenheim around eight, Castle Howard perhaps three or four.  These rooms are centred around the glorious central Marble Hall; 60ft square, 40ft high, with rooms leading off to the left and right including the Great Dining Room, the Van Dyck Room, the State Dressing Room and the Long Gallery.

That the Fitzwilliam family no longer live in Wentworth Woodhouse is one of the great sadnesses of the many families forced from their ancestral homes.   At one point this grand house boasted some of the finest furniture, a priceless collection of art including statues  and many paintings by such artists as Van Dyck, Reynolds, Mytens, Hoppner, Lawrence, Claude Lorraine, and a major collection of Stubbs’s work.  Yet, for all the wealth and power, it was founded on primogeniture and coal – both of which undermined the house in their own way.

The births of previous Earls Fitzwilliam had usually taken place in Wentworth Woodhouse and had been witnessed.  However the birth of the 7th Earl in the 1890s took place in the wilds of Canada for reasons which have never been fully explained, leading to members of the family levelling allegations that a settlers son had been swapped at birth for the daughter the Countess was thought to have really given birth to.  This eventually led to a split in the family as to where the title and the vast inheritance should descend.  With primogeniture determining it must go to the eldest legitimate male heir, this was only settled with a court case in 1952 between two brothers.  The ‘winner’ was the younger son who subsequently married an older lady, and therefore never producing an heir. On his death in 1979, the long title of the Earls Fitzwilliam died out – though not before the last Earl had a huge bonfire of 16 tonnes of family papers to permanently cloak their history.  The estate is now held by Lady Juliet Tadgell nee Wentworth-Fitzwilliam with the family still owning 80,000-acres of Yorkshire and 50,000-acres of Cambridgeshire – and the art collection.

Mining at Wentworth Woodhouse (house circled)
Mining at Wentworth Woodhouse (house circled)

It was the coal that physically undermined the house – both above ground and below. The post-war Socialist government was determined to break-up what it saw as the privileged elite.  One particularly bigoted ideologue was Manny Shinwell, then the Minister for Fuel and Power, decided that as part of his campaign of class warfare he would mine the coal under the park and house – even when told it was low-grade and not worth the effort.  He also ignored the pleas of the local miners and their representatives who had always enjoyed excellent relations with the Fitzwilliams who were widely regarded as one of the best mine owners in the country.  Shinwell’s workers destroyed the park which the miners had enjoyed for years and also dumped the spoil to within yards of the house.  Rather than live there the family moved out – though not before securing the use of the house as a teacher training college which no doubt saved the house from demolition.

However, the mining might yet save the house – though the proposed solution contains considerable risk.  Part of the mining deep underground left a column to support the house – but it wasn’t large enough leading to subsidence which has caused parts of the house to sink by up to 3ft. The house was bought for just £1.5m (£7 per sq ft!) by London architect Clifford Newbold in 1999 and he and his family have spent the last decade carefully restoring the house in conjunction with the conservation architects Purcell Triton Miller and engineers Arup.  Now the family are ready to launch legal action to secure £100m in compensation for the negligent mining under the house.  Using this money, they will obtain further funding to develop the huge stables (built by John Carr in 1768) as office space and also “...two new contemporary buildings that replace the former college accommodation and will support the Stables office building through provision of further office accommodation. These sunken ‘green roofed’ buildings will be designed so that they do not have any detrimental visual impact on the open spaces of the landscape of Wentworth Woodhouse.” (from the official press release).  This can be understood and can be supported so long as the commitment to the minimise the impact to the estate (which is now just 90-acres) is successful.

What gives some concern are the plans for the main house as a “…publicly accessible restored museum to the central and grandest rooms, as well as a 70 suite luxury hotel and spa to the remainder.“. This will necessarily have a significant impact on the structure of the house – and I’m not convinced it’s the entirely right plan.  This house should be the Chatsworth of Yorkshire – a grand house, filled with art and life – and though the plans for the museum will be put into action, there is no word as to whether the rooms will be furnished?  If so, by who?  Will the V&A have an outpost? Perhaps I miss the idea of a family living there, using these rooms – though where to find a family able to take on such a monumental task? Just imagine if the Fitzwilliams had been able to move back in? I do wish the Newbold family every possible success but only if the plans respect the history and importance of the house and it’s not just used as an architectural prop for a multi-use residential, hotel and office space development.


* – that it was the longest was the subject of an amusing bet in 1750 between Sir John Bland of Kippax Park and Lord Rockingham (as the Watson-Wentworths had now become) as to whose house was longest – Sir John lost by just 6ft.  Kippax Park was later demolished and the area open-cast mined.

Many more images of the house, grounds and stables can be seen in the Country Life Picture Library: ‘Wentworth Woodhouse‘ [countrylifeimages]

More about the house and estate: ‘Wentworth Woodhouse‘ [wikipedia]

Official website: ‘The Country House Revealed‘ [BBC2]

More about life in Wentworth Woodhouse: Part 1 and Part 2 [countryhousereader]

Local news report: ‘Wentworth Woodhouse: Newbold family bagged mansion for just £1.5m‘ [thestar]

A salute to determination: Goldsborough Hall, Yorkshire

Goldsborough Hall, Yorkshire (Image: Goldsborough Hall)
Goldsborough Hall, Yorkshire (Image: Goldsborough Hall)

Love is a strange emotion which by chance can leave a person very attached to something.  For Clare and Mark Oglesby the object of their affections is the elegant Goldsborough Hall in Yorkshire, which, after five years hard work and a substantial budget has been rescued from dereliction and possible development.

Goldsborough Hall was built between 1601-1625 for Sir Richard Hutton, a London judge who used his wealth to establish himself in Yorkshire and was High Sheriff in 1623.  The internal plan of the house is interesting as it features a lateral corridor on all three floors and originally included fashionable features Sir Richard probably learnt of from his London friends such as a long gallery which useful for exercise in the inclement weather. Slightly unusually it was on the first floor (though not uniquely as Beaudesert, Condover Hall, and Treowen House also have this) when they were normally on the upper floors as, high up, their excess of glass gave visitors the most impressive view of the house – see, most famously, ‘Hardwick Hall, more glass than wall’.

The house was then rebuilt in the mid 18th-century for Richard Byerley before being bought by the Earls of Harewood, the Lascelles family, who employed the famous architect John Carr of York to remodel the interior in 1764-5, whilst he was also working on their main house, Harewood.  Goldsborough features numerous mementos of the family with their crest embedded in rainwater heads and in stained glass.  The house remained in the Lascelles family until 1965 when it was sold to pay death duties.  It then became a school, a private home, a hotel and then nursing home before being put up for sale in 2003 when the Oglesby’s first saw it but had their offer rejected.  At that time the house was still in good condition but this had changed dramatically when the estate agent contacted them again in 2005 to say it was between them and a developer. They successfully bid but now, just two years later, water was running down the 17th-century oak staircase and the panelling in the library, and the house lacked heating or working plumbing.  Undaunted, over the last five years they have spent around £2m on the restoration which has now rescued this wonderful house from ruin and is back to being a family home which pays it way by hosting weddings.

Rise Hall, Yorkshire (Image: Pastscape)
Rise Hall, Yorkshire (Image: Pastscape)

Another house which needed work and has now been restored explicitly as a wedding venue and family home is Rise Hall, also in Yorkshire.  Set in a beautiful small park laid in the 1770s, the grade-II* listed seat of the Bethell family was rebuilt between 1815-25, though the architect is disputed with some claiming it’s by Robert Abraham (whose eldest daughter was conveniently married to the owner, Baron Westbury) but more likely, as given by Howard Colvin, it was by Watson & Pritchard who also designed a Doric lodge for the house in 1818.  The slightly austere, 9-bay ashlar Georgian facade is dramatically enlivened by a full-height, tetra-style Ionic portico.  Inside the house features a top-lit staircase hall and some neoclassical decoration with an Adam-style dining room.  The house remained in the Bethell family until 1946 when they moved into the former rectory, now Rise Park, and let the house to the Canonesses Regular of St. Augustine, who ran a Catholic boarding school there until 1998.

The house was then bought as a second home by Sarah Beeny, star of many property restoration TV shows.  She and her husband used the house for many years but realised that the 97-room house was simply too large to function as just a weekend retreat and it also needed to pay for its own restoration. Beeny seems to take a rather hard-headed approach – unsurprisingly given her background – but is committed to achieving the right result. The location ruled out use as a hotel so they decided that they would convert it into a wedding venue in just eight months as part of a TV show called ‘Beeny’s Folly‘ which will be broadcast in Autumn 2010 on Channel 4.  This will be a chance for the wider public to get a real insight into just how much work is required to restore and maintain a stately home.  Who knows, it might even inspire someone with deep pockets and hopefully a sympathetic attitude, to find and fall in love with a one of our other country houses at risk and bring it back to life as a home.

Full story on Goldsborough Hall: ‘We’ve moved from our 4-bed detached to an 80-room stately home‘ [Daily Express]

Official website: ‘Goldsborough Hall

Detailed architectural description: ‘Rise Hall, Yorkshire

More buildings at risk: ‘Live and Let Die – 2010 Buildings at Risk Register‘ [SAVE Britain’s Heritage]

Lytham Hall restoration to secure future

Lytham Hall, Lancashire (Image: Lytham Hall blog)

To secure the future of what is considered to be one of the finest Georgian houses in Lancashire, the owners of  Lytham Hall have unveiled an ambitious £5m restoration plan.

The house was built for Thomas Clifton by the famous architect John Carr of York between 1752-64 and incorporated elements of the existing Jacobean house.  It remained the Clifton family home until the 1960s when it was finally sold to Guardian Royal Exchange Insurance who owned it until 1997, and is now run by Heritage Trust for the North West on a 99-year lease on behealf of the owners, Lytham Town Trust.

The £5m plans are the first part of an eventual £10m plan to upgrade every aspect of the house and estate to provide holiday accomodation, a tea room and conference facilities.  Although a shame that the house is no longer a home, it’s encouraging to find plans which respect the history and architectural importance of the house as they seek ways to ensure a secure future.

Full story: ‘New lease of life for historic hall‘ [Lytham St Anne’s Express]